Category Archives: crafter interviews

Featured Interview – Sparrow Primitives

Meet: Martina of Sparrow Primitives
How long have you been making your work and how did it all begin?

I have been making things ever since I can remember. My parents are both creative people. My mother used to do the most beautiful embroidery and would buy high street children’s clothes for me and embroider them to make them unique. She was also a fabulous knitter and taught me as soon as I was old enough to hold the needles! My Aran knitwear was popular but I rarely have time to knit now. Sparrow Primitives began as a hobby, selling handmade jewellery, our own greeting card designs, wreaths and our distinctive signature shelf blocks and as more and more people wanted them, it grew into a small business. I came across the American Primitive dolls and animals while researching historical toys, and discovered a whole new art form which had great appeal!

What processes & techniques do you use in your work?

We source our wood locally from FSC approved managed forests and do not outsource any of the stages of manufacture. We cut, sand and rout the wood ourselves, ensuring a smooth finish and a top quality item. Our customers are looking for that little bit extra and so we work hard to provide it. We use an expensive top quality non-toxic paint and each set is carefully handpainted. Most of the sets take approximately 12 hours to complete, so they certainly are not churned out! The fabric Primitives are stitched, handpainted, aged, scented and baked in the oven a number of times before completion!

What are you inspired by?

I am inspired by craftsmanship, especially from the past.  Mass production and machine manufacturing has led to people taking things for granted and many have lost touch with how difficult and time consuming it is to make something. I am really keen to show that handmade can mean gorgeous items made with  care and attention to detail by people who take a great deal of pride in what they do. I have been so pleased to find a community of people online who feel the same and I have found that inspirational too.

Do you have a work space or studio? What is it like?

 We have a workshop in the garden for the woodwork and have a studio at the back of      the house. I tend to use the dining room table a lot too, especially as we use so many  different techniques and it isn’t always practical to confine ourselves to one room!

Where can people buy your work?

 We have our own website and we sell through other outlets too. We also supply    independent gift stores throughout the country.

How do you promote your work?

  We are on Facebook and Twitter and have also had our products pictured in some  national publications.

What advice would you offer to someone thinking about turning their craft/art into a business?

Go for it! It is hard work but very rewarding. Don’t fall into the trap of pricing your products to compete with the hobbyists. Produce top quality items and value your customers and they will come back for more.
A few of your favourites (just for fun)….

Colour: Black and Purple

Animal: Birds

Season: Winter

Food: Does chocolate count?

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Thank you for sharing your gorgeous items with us Martina! Being a proud owner of some of your shelf blocks, I know the high standards finish of your work. Love the new fabric primitives! Check out more gorgeous accessories by Sparrow Primitives here.

Featured Interview – Made From The Heart

Meet: Suzanne Lake of

Made From The Heart




How long have you been making your work and how did it all begin?

I started about 8 years ago when my eldest child was about 1. I was thinking of trying to contribute to our family financially and to earn my own money. I went on a trip back home to Canada and went to a massive craft warehouse, they had wood blanks for sale at a very good price along with the paint, so I thought I’d teach myself to paint them and then sell to friends and family for a little extra money. I have always been ‘crafty’ and was doing patchwork at the time. Anyway, eventually I decided that I was so limited with buying precut shapes and they weren’t really to my taste. My father-in-law bought me my scroll saw which isn’t really much different to a sewing machine so I was well away. I started to design new shapes and eventually I had enough confidence to approach shops and sell a few things to them. i now supply 3 shops locally and am always on the lookout for more.

What are you inspired by?

I love looking at the craft sites and seeing other peoples work. I also love vintage and antique things that are a bit quirky. Just reading different blogs with like minded crafters is great inspiration too!

Do you have a work space or studio? What is it like?

I am lucky enough to have a big room in our house that is solely for my work. Its not quite how I would like it set up but I’m always so busy creating that I never seem to have the time to re-organize myself! The children also have their little spot to work too so its a family affair!


Where can people buy your work?

My online folksy shop, I will soon also be supplying a few exclusive items to www.flaxandfinch.co.uk.

You can also see my items at a few shops in Norfolk:

Big Blue Sky, Wells-next-the-sea

Rooms with a View, Diss, Norfolk

Norfolk Living, Burnham Market, Norfolk

How do you promote your work?

Mostly through facebook and twitter, and just word of mouth and going to some great craft fairs.


What goals do you have for the future?


I would love to supply a few more shops around the country as well as have my own online shop. My ultimate success story would be able to attend the Country Living Fair at Christmas.

What advice would you offer to someone thinking about turning their craft/art into a business?

Oh I have loads of advice…where to start….

  • be brave
  • if you want to do it just go for it!
  • Make things that you enjoy making and you would want in your home too.
  • In the beginning go to loads of fairs and test the market.
  • Join some of the women’s networking groups such as WiRE. They have been a great way for me to meet like minded people. Some of the ladies that I met last year have set up a group called Dead Good Designs in which we get together and support each other’s businesses and bounce ideas off each other. We also club together to go to a few of the more expensive fairs ones that we wouldn’t have been able to afford otherwise.

A few of your favourites (just for fun)….

Colour: I love to wear black

Animal: horses

Season: autumn, but then love English spring time, being Canadian I am reminded every spring why England is so lovely.

Person: my husband, he is so supportive of me and my business I couldn’t have done any of this without him

Food: pasta, I could eat it everyday! Wish it was fat free!

Website: facebook (unfortunately but it keeps me connected to friends and family back home)


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Thank you for sharing your creations with us Suzanne, I’m a huge fan of the beach huts!


Featured Interview – Little Wren Pottery

Meet: Victoria of

Little Wren Pottery


How long have you been making your work and how did it all begin?

I’ve been making pots for about two years now, which I know makes me very ‘young’ for a potter I still get things wrong every now and then but its a learning process!

It all really started when my Dad, who’s also a potter, wanted to get me to have a go. It’d been a number of years since he’d done any potting, I can still remember the wheel he used to have when I was a little girl but he’d long since sold it on. So we went to collage together mainly to use their facilities and for me to pick up the basics of throwing. Since then we’ve gone on to acquire our own equipment and set up a small studio space.


What processes & techniques do you use in your work?

I throw all my pots on the wheel. They start out life as lumps of clay and are transformed into cups, bowls, vases and anything else I can think of! Most of my work is embellished in some way either with things like mice, made from a press mould or patterns stamped onto the surface.

I really like adding these elements to a pot, I just feel it gives each one a personality and I’d imagine at home people will be able to differentiate the subtile personalities of particular mice within a set to have their favourites!


What are you inspired by?

In pottery terms I’m largely inspired by Isaac Button, Shoji Hamada, Bernard Leach and Michael Cardew. I like the mix of producing items that are both decorative and functional, the principal of everyday beauty is really important in my own work.


I’ve always loved the Pre-Raphaelite artists as well in particular Gabriel Dante Rossetti and William Morris. In a more general way I really like the beauty of nature, the way light dances through leaves like stained glass and tiny birds that hop around in my garden they’re all welcome.



Do you have a work
space or studio? What is it like?

I have a very small workspace, its a little cramped being up in the loft of the house. Unfortunately there isn’t any running water or electricity so as you’d imagine this makes life a little difficult. I’m pretty fortunate that I have a small compact wheel for throwing on, just don’t stand up too quickly or you’ll hit your head on the roof!



Where can people buy your work?

I sell my work largely online on Etsy, Folksy, and Dawanda. Recently I’ve been attending more craft fairs in my local area and hopefully I’ll be able to do more of these as time goes on.


How do you promote your work?

You can find me on Twitter and Facebook, I’m a bit of a Twitter addict I’m on there all the time! I also regularly publish blog articles over on my site, I think its really important for people to feel like they’re in touch with the process. From time to time I get featured in magazines too which is really invaluable to spreading the word.


What goals do you have for the future?

I’d love a new studio one with running water, electricity and somewhere I can comfortably stand up! I don’t pot full time either but I’d love to spend less time working and more time potting.


What advice would you offer to someone thinking about turning their craft/art into a business?

There aren’t really many barriers to setting yourself up in having a small business these days, theres only really the barriers you put up for yourself. It’s a lot of hard work especially when your basically starting from nothing to build up your business into a brand, stick at it though, it takes time to become established and for people to find you. I certainly feel like I’ve come on an awful long way in the last 18 months and hopefully there’ll be more changes to come yet!


A few of your favourites (just for fun)….

Colour: Ruby red or plummy purples, I can never decide.

Animal: I love animals just in general four legs or two feet it doesn’t matter! Of course I love Wrens, they have such personalities and for such a tiny bird it has a big song.


Season: Autumn has to be my favourite, its not too hot nor too cold. I really like the beautiful soft light of the season and the turning of leaves on trees. There’s plenty of tasty treats to be had too like Pumpkins and Blackberries.

Person: Although I work with my Dad all the time I’m a Mummy’s girl at heart!

Food: Got to be chips, or more specifically a chip butty in a lovely soft roll. With vinegar, and mayonnaise and ketchup ha : )

Website: http://www.littlewrenpottery.co.uk

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Thank you for sharing your pottery and work processes with us Victoria. I love the coloured glazes that you use to decorate your work!

Featured Interview – Slugs & Snails

Meet: Louise of


Slugs and Snails

How long have you been making your work and how did it all begin?

I have been crafting since I was a child and I have always had some sort of craft on the go. I like trying new crafts / artforms and have dabbled in sewing, wet felting, photography, painting, jewellery making, mixed media, knitting and my latest obsession crocheting…

What processes & techniques do you use in your work?

My work is anything artistic. In my Folksy shop you can find paintings, felted bowls and jewellery to mention a few. I like learning new skills and developing my own unique style.

What are you inspired by?


I find inspiration in the things around me, whether it be a colours, nature or life. Art is life. Life is beautiful!

Do you have a work space or studio? What is it like?


My studio is anywhere I can find some space. The dining room table for my mixed media paintings. The conservatory floor if I’m wet felting and my comfy chair in the living room if I’m crocheting. My dream studio is a sheppard’s hut at the bottom of the garden overlooking the fields and of course it would have a wood burning stove installed for making cups of Chai.

Where can people buy your work?


Online at Folksy.

How do you promote your work?


I wish I could say that I spend time promoting my shop, but the truth is I don’t.

What goals do you have for the future?


I would love to sell more online and do craft fairs.

What advice would you offer to someone thinking about turning their craft/art into a business?

I’m not sure I’m the most qualified person to answer that as I run my shop as a little side line. BUT…. follow your heart and take the plunge.


A few of your favourites (just for fun)….

Colour: Pink or purple

Animal: unicorn

Season: Autumn

Person: My son

Food: Organic and fair-trade chocolate

Website: http://embers.typepad.com/e/


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Thank you for sharing your work with us Louise, I love the colour and energy from your mixed media pieces!

Featured Interview – Penny Spooner Ceramics


Meet: Penny Spooner Ceramics

How long have you been making your work and how did it all begin?

I have been making work to sell now for 3 years. It all started when I signed up with a friend for a term to study ceramics at night classes in our local college about 9 years ago. The first time I threw a pot on the wheel I just loved it and have never stopped feeling like that.

What processes & techniques do you use in your work?

I love printing onto porcelain and have a drawer crammed full of wonderful things I have collected, which can be impressed onto clay to achieve interesting finishes. I’m also really keen on using slip to decorate my work and use this technique for all my cake stands.

What are you inspired by?

Displaying food I suppose, which my Grandmother inspired in me; being a farmer’s daughter she was up with the lark and baking for the day. All these lovely things would then be presented to us on a traditionally laid out table with cake stands, tea plates & lovely little cups & saucers. I love to make pieces that can be used but add something special to the table.

Do you have a work space or studio? What is it like?

I’m so lucky to have a studio of my own. In a former life it was a pair of old thatched cottages, but they burnt down in the 1970’s and were turned into a garage, 3 years ago I was lucky enough to get hold of it. It is just the best place to be – I absolutely love walking in there, turning on the radio, filling the kettle, donning an apron and sitting down at the wheel. Heaven.


Where can people buy your work?

I have an Etsy shop, a folksy shop, and sell from my website www.handmadeinhampshire.co.uk

My work is also for sale in a small selection of shops stocking handmade items, as well as at a number of Art & Craft shows – details of these are on my website.

How do you promote your work?

Oh, I’m just terrible at promotion. I like making things, the rest is a necessary evil. I have those beautiful Moo cards which I hand out liberally, and have recently printed up postcards advertising my workshops, which I take to shows and leave wherever I can.

What goals do you have for the future?

To be able to spend every day at the studio making pots, and to sell my work through a larger network of shops. The trouble is I love it in the studio so much, I’m not keen to spare time for anything else! I am getting better at the business side as I’m realising how important it is.

What advice would you offer to someone thinking about turning their craft/art into a business?

Speak to other artists who have gone before you and get plenty of advice, and make sure your family at home understand that you will be busy so that they can help support you.


A few of your favourites (just for fun)….

Colour: Oh definitely blue, as I’m sure you can tell from my work

Animal: Dog. I just love dogs and have always had one, at the moment we have two fabulous rescue dogs who come to the studio with me.
Season: Spring because the weather is warmer, everything perks up and my garden always looks its best in Spring.

Person: Too many to choose!

Food: Mint chocolate and liquorice

Website: www.handmadeinhampshire.co.uk

Featured Interview – Cinnamon Jewllery

Meet:


Tracy Smith of Cinnamon Jewellery

How long have you been making your work and how did it all begin?

I’ve been making jewellery for seven years now. It began when I was browsing eBay one day, saw lots of handmade earrings and thought “I could do that”. I really had no idea how to “do that” so bought a book and some supplies and with the help of tutorials on the internet taught myself. I used fuse wire to practise my loops to begin with!

What processes & techniques do you use in your work?

I make wirework, some basic metalwork and torch enamel jewellery.


What are you inspired by?
I love bright colours, swirls and spirals, geometric and abstract designs and rustic style jewellery. I have a bit of trouble finding my rustic side though being a bit of a shiny neat freak but I’m getting
there!


Do you have a work space or studio? What is it like?

I work on the dining room table which luckily isn’t used to actually eat from any more. I’m slowly spreading out and have comandeered various cupboards including one in the kitchen for my enamelling stuff! It would be lovely to have a room just for making jewellery so I
wouldn’t have to keep getting stuff out and putting it away again but I manage and the cats like to sit and stare at me while I work (as only cats can).

Where can people buy your work?

I sell on Folksy, Etsy and in a shop, The Gift Gallery, in York.

How do you promote your work?

I blog about new pieces, post photos on facebook and flickr and I was lucky enough to be featured in Bead magazine last year which recently brought in quite a few sales. I contribute wirework projects to the magazine also.



What goals do you have for the future?

I want to continue to develop my style. I love making metalwork designs so am always looking to learn new basic techniques that don’t require too much new equipment which means I can add something different to my jewellery designs. I recently taught myself fold forming – a metalwork technique that adds texture to metal by folding,
and I’ve learnt how to enamel metal by torch. I would also like to have more projects in other magazines and find more shops to sell in – I think I’ve got my work cut out!

What advice would you offer to someone thinking about turning their craft/art into a business?

Research the type of items you make – are they popular. Be prepared to work hard at it – not just the making but finding places to sell and promoting. It all takes time and lots of effort if you want to make a go of it. Be prepared for quiet spells, they are inevitable but don’t let them push you off track, just keep going. Learning new techniques within your field is a good idea and means you can develop your style and offer something that’s a bit different or unique to what’s already out there, giving buyers more choice. Overall remember to enjoy it!


A few of your favourites (just for fun)….

Colour: Purple

Animal: Tiger

Season: Summer

Person: My Mum (sadly no longer with us)

Food: Curry/chocolate in equal measure!

Website: Folksy of course!


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Thank you for taking part in my interviews Tracy, it is a pleasure to feature your stunning jewellery!

Featured Interview – The Cotton Potter

Meet: Emma Verner of The Cotton Potter

How long have you been making your work and how did it all begin?

As a child of the seventies, a lot of my time was spent making things – as shown on Blue Peter and picking up dressmaking skills from my mother who made nearly all my clothes. After a diploma in general art and design followed by a degree in ceramics at Cardiff, I continued to experiment with a range of ideas and media. I probably had too many ideas swimming around in my head and it is only really in the last two years I have managed to fine tune them and create a niche for myself that combines my skills and interests.

What processes & techniques do you use in your work?

I tend to look at fabric as if it were a slab of clay, often stiffening it with interfacing to reinforce it and then experiment with different patterns to create ‘slab-built’ style vessels. I have started to design my own fabric which is something I want to develop much further.


What are you inspired by?

My main inspiration is Ceramics, particularly vessel forms. I’m also inspired by nature, particularly birds and flowers.


Do you have a work space or studio? What is it like?

I do have a small studio in my garden but invariably end up traipsing into the house and working in the kitchen or sitting room instead.



Where can people buy your work?

The majority of my work is sold online through Folksy and Not on the High Street though I sell to a few B & M shops and galleries as well.

How do you promote your work?

I have a neglected facebook page and that’s about it, but I am happy with the flow of sales I have currently, so promotion isn’t top of my to-do list at the moment. If I ever give up the day job to concentrate purely on The Cotton Potter, I would definitely need to hone my promoting skills.

What goals do you have for the future?

Although I love my day job I do dream of one day turning the Cotton Potter into a full time business. In the short term I would like to work on some more of my own fabric designs and put them into production in the form of wraps and slip covers.

What advice would you offer to someone thinking about turning their craft/art into a business?

Gosh, I wouldn’t know where to start, but what I found helped me was planning my style, product range, pricing, packaging etc, getting it clear and organised in my head before entering the market.

A few of your favourites (just for fun)….

Colour: Pink

Animal: garden birds, hares

Season: Spring

Food: italian


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Thank you for sharing your gorgeous vase wraps with us Emma!

Featured Interview – Driftwood Boatbuilders

Meet: Andrea Brewster of Driftwood Boatbuilders


How long have you been making your work and how did it all begin?

I have been making my boats for 2 years now. It all started after I collected some driftwood pieces on a beach in Skiathos. I managed to bring them home in my suitcase with the intention of making a few boats for friends and family. Everybody seemed to like them and as I was only working part-time (2 days a week) I thought setting up a business and making some extra cash would be a good idea.

What processes & techniques do you use in your work?

The initial bit is laying out each piece of boat shaped wood and finding a mast to complement the piece. Then comes the drilling and glueing bit. The sails are all different depending on the shape of the boat and mast so each sail is drawn and cut out separately. Once the rigging is attached I then rummage through my box of buttons and other interesting bits and bobs looking for suitable decorations for the boat.

What are you inspired by?

Nature. I love being outside, garden, moors, seaside. It is amazing how I can pick up a piece of wood and see the boat that it could become. Last year I did a trek in Peru and while crossing a river picked up a piece of driftwood that I wanted to bring home and make a boat out of as a reminder of a wonderful trip. It now has pride of place in my bathroom.

Do you have a work space or studio? What is it like?

Since I started my work place has been the dining room table but only two weeks ago my 25 year old son left home to share a house with some friends. I don’t want to seem too eager, but give it a couple more weeks and I will be making his bedroom into my work room. Even though it is only a single room I am looking forward to having a proper work room. So still a work in progress.

Where can people buy your work?

I have three galleries that sell my boats. One is Number Four at St Abbs Nr. Eyemouth, Berwickshire. Another is Finestra Gallery in Kirby Lonsdale, Cumbria. I also sell on Folksy.

I organise a craft fair in Kelbrook, a village near me. This is in November each year and I always have a stall there. Since joining Folksy I have also been in touch with crafts people close enough to be able to exhibit at my fair.

above – a very small collection of Andrea’s driftwood.

How do you promote your work?

I haven’t been doing much promoting at the moment as in January I starting full time work covering maternity leave and won’t be back to my two day week until September so I am finding it very difficult making enough boats for the galleries I have.

What goals do you have for the future?


Mainly to carry on selling enough boats to keep my artistic temperament happy and justify my fettish for collecting driftwood off the beaches.

What advice would you offer to someone thinking about turning their craft/art into a business?

Primarily you have to do it because you enjoy it. It is a long and sometimes demoralizing process trying to sell your art as not everybody appreciates the time and effort that goes in to handmade goods. But it can be very rewarding and it is a great feeling when people show that they like your work. Finding the right market is also important. I know that my boats sell better at holiday resorts near the coast and wouldn’t do very well in a city gallery.

A few of your favourites (just for fun)….

Colour: Any shade of purple (to the extent that my family call me purple Andrea!)

Animal: Holly, our pet Lurcher.

Season: Spring

Person: I shouldn’t say it as my daughter thinks it’s a bit weird as he is the same age as my son, but Robert Pattinson is the man of the moment.

Food: Vegetarian food

Website: Wallis

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Thanks for sharing your boats with us Andrea. Your interview has inspired me to go beach combing!

Featured Interview – Red Brick Glass

Meet: Wendy Jeavons of Red Brick Glass

How long have you been making your work and how did it all begin?


I gained a 1st class honours degree in Glass and Architectural Glass from Edinburgh College of Art in 2000. I then set up my studio with support from the Crafts Council’s Setting Up Scheme. I returned to glass last year after taking a few year of to have my 3 children.


What processes & techniques do you use in your work?


I use kiln formed glass techniques to create my work. Elements such as sheet glass, granules, rods and enamel transfers are fused together in the glass kiln. . I use beautiful glass colours, petal pinks, sage greens, duck egg blue and cherry red and incorporate screen-printed designs in pretty florals, fun polka dots and stripes.


What are you inspired by?


I am inspired by things that make me smile. That can be natural things like blossom, rainbows, weeping willow trees, butterflies and the sea or lovely objects like vintage cake stands, deckchairs, disco balls and beach huts. I love light, colour and pattern.




Do you have a work space or studio? What is it like?


I work from my lovely studio, a converted barn and outbuildings at home in the little village of Winfrith Newburgh in Dorset.





Where can people buy your work?


At the moment I sell online and at local craft and design events.

I have online shops on Folksy, and also Etsy.



How do you promote your work?


I have a new website and have a page on From Britain With Love. Facebook and twitter are also great for spreading the Red Brick Glass name.


What goals do you have for the future?

I am just designing a new product range which I will sell through shops. I will have my fairy lights in Radiance soon.



What advice would you offer to someone thinking about turning their craft/art into a business?


Making and selling work is fantastic and very rewarding. My advice would be to go for it, but go for it slowly. Take time and care to create the right image for your business, then build your business slowly and enjoy the process. Spare Room Start Up by Emma Jones it a good read.


A few of your favourites (just for fun)….


Colour: Pink


Animal: Butterfly


Season: Spring


Person: My husband Richard and my 3 children, Rosie, Jack and Matilda


Food: Fish finger sandwhiches


Website: Etsy






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Thank you for sharing your beautiful glass work with us Wendy, I am in love with your bunting!

Featured Interview – Caroline Green Pottery

Meet: Caroline Green Pottery


How long have you been making your work and how did it all begin?

I have always been a ‘maker’ and always want to learn another craft. I started making pots in 2000 when I moved house and enrolled on a fine art course at my local college. After a visit to the pottery studio I changed courses and have never regretted it. I was totally hooked then and still am, it is the only discipline to hold my attention.

What processes and techniques do you use in your work?

I throw on the wheel and roll out thin slabs of clay to make my pots. Sometimes I draw freehand directly onto the leather hard clay or I roll leaves and flowers into the clay that burn away in the firing. I work with porcelain that can be a nightmare at times but I like the challenge.

What are you inspired by?

I am inspired by food! So I make pots according to what I want to eat. My straight sided oven to table bowls were inspired by a winning lancashire hotpot on The Great British Menu. Plates for cakes and mugs for cappucino.

Do you have a work space or studio? What is it like?

I work in a shed in my garden. It is a complete shambles but that is how I like to work. My college tutor, who is now a very good friend and colleague asked how I managed to get my work so clean and smooth as he knows how I work in utter chaos.


Where can people buy your work?

People can purchase my work in several galleries, websites, folksy and every month at the Art Market in Winchester.

How do you promote your work?


I am absolutely hopeless at promoting my work and don’t understand Facebook, twitter or blogging!

What advice would you give to someone thinking about turning their craft/art into a business?

I don’t think it is easy to turn your craft into a business but you have to give it time and chat to other makers, they are a wealth of information.

A few of your favourites (just for fun)…


Colour: Cerise pink without a doubt.

Animal: Has to be a cat as I have two, but would really like some chickens.

Season: Spring, so fresh and full of life.

Person: Really cheesy I know but has to be my long suffering husband.

Food: Wine gums, I think I am addicted.

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Thank you for sharing your pottery with us Caroline. Your studio looks amazing, I would love to come and visit!

Featured Interview: Little Paper Gallery

Meet: Caroline Cummings of Little Paper Gallery


How long have you been making your work and how did it all begin?


I’ve always loved drawing and wanted to work in some kind of creative role. I studied retail design at college which led me to work as a graphic designer, mostly in London, for roughly 10 years before having a family and then moving to Guernsey. Once the children had started school I found more time for illustration and Little Paper Gallery was born.



What processes & techniques do you use in your work?

I mostly draw in pen and ink then finish off in photoshop with colour, scanned papers and textures.
What are you inspired by?

I am inspired by lots of things. My everyday range of cards has quite a lot of nostalgic themes, for example the British seaside and tea parties. I always have a little digital camera in my pocket to snap anything that catches my eye – I capture a lot of my seagulls and things growing in the hedgerows as I walk the children to school.



Do you have a work space or studio? What is it like?

When I’m drawing I usually work at a table in the living room as it’s wonderfully light and I’m very lucky to have sea views. At the moment I’m sharing a work space with my husband but that is about to change when we’ve finished decorating. I keep dropping hints that it is going to be MY room!



Where can people buy your work?


You can currently buy my work online at folksy, a great gallery in Guernsey called Little Green Island and Down to Earth Gallery in Shropshire.
How do you promote your work?


I don’t devote nearly enough time to promotion! I write a blog which shows bits of my work, things that inspire me and other snippets of my life.
What goals do you have for the future?


I’m working on new card ranges and print designs, so my goals are to get those finished and to spread the word of Little Paper Gallery to more stockists.



What advice would you offer to someone thinking about turning their craft/art into a business?


I don’t know if I’m best placed to offer advice as I’m just starting out myself! If you’re in a position where you can give it a go then go for it – I was at home with two young children and the time just felt right.



A few of your favourites (just for fun)….

Colour: Very difficult to pick one – today it is aqua

Animal: Shh, don’t tell my cat but I kind of like dogs

Season: Spring

Person: My husband – what would I do without him?

Food: If I was going out for dinner tonight I’d choose some kind of seafood

Website: http://www.littlepapergallery.com/

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Thank you for sharing your cards with us Caroline, I am a huge fan of your fun & energetic designs!

Featured Interview: Ivy Dean Designs

Meet: Helen Clark of Ivy Dean Designs


How long have you been making your work and how did it all begin?

I’ve been crafting in one form and another since I was a child so quite a long time! My maternal Grandma – Ivy Dean, was a serial “maker” she knitted, crocheted, sewed and baked and I was encouraged from a very early age to do likewise. I started making jewellery to sell a couple of years ago after buying a kit to make a knitted wire necklace for my Mum. The kit didn’t work out too well and I decided that I could do better so sourced the materials and made one that I was happy with and that Mum loved. I began to be drawn to bead shops and started building up a huge collection of beautiful beads and findings. I enrolled in a two day jewellery making course that really helped me to hone my basic skills and techniques and have recently completed a wire wrapping course, the rest I’ve taught myself through trial and error.

What processes & techniques do you use in your work?

My favourite material at the moment is wire so I use a lot of wire wrapping techniques and have just perfected a wire wrapped bangle that is proving very popular. I also use traditional techniques such as stringing and knotting but I’m always trying to adapt techniques to suit the material or designs.

What are you inspired by?


The seasons have a strong influence on my work as do my very favourite places: anywhere by the sea, the rugged East coast of Scotland and the gentle hills of Devon. I am also inspired by the materials themselves. I can often sit and look at my glass jars of beads and a design will pop into my head.

Do you have a work space or studio? What is it like?

I have a summer house in the garden but am limited by it’s leaking roof so that’s a very fair weather place to work! I do most of my work on my dining table looking out onto the garden. The whole room has been taken over by beads, semi-precious gems stones, wire and pliers so it’s a good job I don’t have time for dinner parties!

Where can people buy your work?


My main outlet for my work is through jewellery parties which I hold either at friends houses or at my own. I am planning some “open house” type events where people can come along and browse my current work but also have a piece made on the day or learn to make their own jewellery. I also hold regular “buy and donate” events at work where a percentage of the sales value is donated to our corporate charity. I mustn’t forget my Folksy shop which is a great platform to showcase my work. Since joining Folksy in October 2010 sales have been steady for me (31 sales to date) and I am always so delighted when someone who I have never met is tempted to purchase from me. I recently sold an item to a customer in America so I guess I can say I have a global business!

How do you promote your work?

Promotion for me is probably the hardest aspect of running my business. I work full time as well as run Ivy Dean Designs so there just aren’t enough hours in the day to devote to promotion as I’d like. I do try to post on the Folksy forums as much as possible and I have a blog where I showcase my new designs but I have to say I prefer showcasing the work of some of the really talented people that I’ve come across via Folksy. My best promotion is to wear my jewellery. When I’m designing a new range or prototyping an idea I will wear those items to gauge reaction to them. I once sold a necklace to a lady who was behind me in a supermarket queue for example! I have business cards and will use any opportunity to hand them out!

What goals do you have for the future?


Given the time constraints I’m under with having a full time job and the business, my goals are limited to the short term at present. My focus is on creating wearable, unique pieces that have a place in the market and are of great quality. Long term – how I would love to give up the full time job and devote all of my time to Ivy Dean Designs!

What advice would you offer to someone thinking about turning their craft/art into a business?

If you are confident in your product and see that there is a market I would have to say “go for it”. I was brought up to always try, if it didn’t work out I was encouraged to try again. Before you launch your products onto the market make sure that you’ve got the “backroom” sorted, for example: do you have envelopes that are suitable for posting your items in?, what sort of packaging are you going to use?, what is your brand identity and how are you going to build one?, do you have the time to do all the necessary admin as well as make your items? and how much time do you have to devote to the whole running of your business?


A few of your favourites (just for fun)….

Colour: Black – my entire wardrobe is full of it!

Animal: Horse – such solid, loyal companions.

Season: Spring – so full of new hope (and better weather to get out on my motorbike).

Person: My Dad! He’s my hero.

Food: Oooh, how do I choose? I suppose it would have to be freshly baked bread (with lots of butter).

Website: I am biased but it would have to be my Folksy shop – www.ivydeandesigns.folksy.com I am so proud of having my own little piece of the internet!


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Thank you for sharing your jewellery with us Helen, I wish you lots of success for the future. Freshly baked bread with lots of butter is one of my faves too!!

Helen also has a blog which you can read here.
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